“THE MONKEY & THE CAT”

Once upon a time a Cat and a Monkey lived as pets in the same house. They were great friends and were constantly in all sorts of mischief together. What they seemed to think of more than anything else was to get something to eat, and it did not matter much to them how they got it.

One day they were sitting by the fire, watching some chestnuts roasting on the hearth. How to get them was the question.

“I would gladly get them,” said the cunning Monkey, “but you are much more skillful at such things than I am. Pull them out and I’ll divide them between us.”

Pussy stretched out her paw very carefully, pushed aside some of the cinders, and drew back her paw very quickly. Then she tried it again, this time pulling a chestnut half out of the fire. A third time and she drew out the chestnut. This performance she went through several times, each time singeing her paw severely. As fast as she pulled the chestnuts out of the fire, the Monkey ate them up.

Now the master came in, and away scampered the rascals, Mistress Cat with a burnt paw and no chestnuts. From that time on, they say, she contented herself with mice and rats and had little to do with Sir Monkey.

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“THE MOLE & HIS MOTHER”

A little Mole once said to his Mother:

“Why, Mother, you said I was blind! But I am sure I can see!”

Mother Mole saw she would have to get such conceit out of his head. So she put a bit of frankincense before him and asked him to tell what it was.

The little Mole peered at it.

“Why, that’s a pebble!”

“Well, my son, that proves you’ve lost your sense of smell as well as being blind.”

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Author Kaite O’Reilly challenges normalcy with characters, the Steinhardt Museum of Natural History in Israel is a visually open design to gardens, and pottery wheel curlicues

“Instead of combusting, O’Reilly embarked on the D-monologues, which is made up of lots of conversations with disabled people. “I don’t take people’s stories, it feels too much like theft,” O’Reilly explains. “Instead I took people’s hopes, fears, thoughts, lived experiences, and used them to inform a fictional monologue. There are lots of different opinions: some people say ‘I’m not disabled, I don’t want to be called disabled’ because they may have a very different perspective from someone like me. […]

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“THE MAN & THE LION”

A Lion and a Man chanced to travel in company through the forest. They soon began to quarrel, for each of them boasted that he and his kind were far superior to the other both in strength and mind.

Now they reached a clearing in the forest and there stood a statue. It was a representation of Heracles in the act of tearing the jaws of the Nemean Lion.

“See,” said the man, “that’s how strong we are! The King of Beasts is like wax in our hands!”

“Ho!” laughed the Lion, “a Man made that statue. It would have been quite a different scene had a Lion made it!”

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An illustrated haiku about sacrificial love: No. 3 “Tough Door Stop”

Raised a son, then three. Holes in the walls, but it stands. “Get the tough door stop.”   Autumn Phillips Rennie American, b. 1979 Tough Door Stop, 5|7|5 No. 3 2018 Photoshop JPG, PNG, SVG 1560 × 1560 pixels $4 Created after a conversation with a sales associate at the big-box home improvement store. He’d quit college to raise an unexpected son. [product id=”5991″] Original Artworks in the Story Shop [product_attribute attribute=”format” filter=”original-artwork”]

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“THE LEAP AT RHODES”

A certain man who visited foreign lands could talk of little when he returned to his home except the wonderful adventures he had met with and the great deeds he had done abroad.

One of the feats he told about was a leap he had made in a city Called Rhodes. That leap was so great, he said, that no other man could leap anywhere near the distance. A great many persons in Rhodes had seen him do it and would prove that what he told was true.

“No need of witnesses,” said one of the hearers. “Suppose this city is Rhodes. Now show us how far you can jump.”

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